Night painting for me seems to affect my eyes. It's hard to judge color and the values are hard to control. I like the idea of working to recreate something in the studio from something that caught my eye for a moment in time. These paintings will be an exploration and there will be some inventing going on. I see it as a way to grow. I see it this way. If an artist works plein air, his skills as a plein air painter will grow. The same thing holds true for memory work. We get better at things we practice at! I'm even allowing you to watch me fumble and hopefully do some cool things with the landscapes that I will be painitng.
I really want to develop my ability to paint from memory, so this is the perfect way to do that. Using some rapid sketches to think about big shapes, some notes that I jot down about color and a reference photo to aid in the compositional plan, I will then dive into recreating what I saw and felt about the subject.
I'm fascinated about painting at twilight, the early or late evening, or even in moonlight. Sunrise is also high on my list of special times to connect with the landscape. More times than not, when it comes to sunrise paintings, I find myself standing in awe of what God can do with a morning and I spend more time looking than I do actually painting the view, but maybe this project will break that.
I know that I plan to take a hard look at intersections at night with traffic lights at some point during these 30 days as I am completely flabbergasted with the way the red, yellow and green changes in a traffic light influence the colors around it. There are many other thoughts going around in my mind and I am just going to take it one day at a time and see what inspires me as I go.
The paintings will all be 9x12's and sold unframed for $400 dollars. The paintings will be shipped at the end of the thirty day painting event. There is a $ 25.00 fee to cover shipping and handling. The paintings can be seen here; on FaceBook and also in Daily Paintworks, where they can be purchased.
Click on the Daily Paintworks widget on my sidebar to be taken to the site.
It's my sincere hope that someone will be inspired by this project enough to want to attempt their hand at it and also that my paintings will touch someone enough, that they want to own it.
TODAY I painted a sunset (from the previous evening) of a stand of trees and a field in snow. It was exciting to try to reconnect with the scene in my mind and to just let the painting do its thing. In this one, I was intrigued by the combinations of muted yellow and yellow oranges against the gray purple snow
|'Last Light' 9x12|